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Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa
Published by Institut Seni Indonesia Surakarta
ISSN : 20870795     EISSN : 26220652     DOI : -
Core Subject : Humanities, Art,
Arts Humanities
The main focus of this journal is to promote global discussion forums and interdisciplinary exchanges among academics, practitioners and researchers of visual arts and visual culture. Series will encourage practice and research innovation that focuses on visual arts and visual culture, contributing to a better understanding of the highly dynamic development of dynamic theories, practices and discourses of visual art and visual culture.
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Articles 7 Documents
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Search results for , issue "Vol 3, No 2 (2011)" : 7 Documents clear
Kaligrafi Arab Dalam Seni Lukis Kaca Cirebon Amir Gozali
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 3, No 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2325.184 KB) | DOI: 10.33153/bri.v3i2.321

Abstract

Islamic culture transformation process continues to this day, the puppet is one proof of the continuity of historical reflection Indonesian culture resulting from the transformation of culture has characterized the culture of the archipelago. In addition it is also the object of puppets in the creation of works of art of Islamic calligraphy in Indonesia. Islamic Calligraphy has been media creativity of the artist to realize the creation of Islamic art that characterized the archipelago. During its development, calligraphy works, both produced by palace artist and artist from outside the palace, has managed to absorb the local cultture and accomplishment in calligraphy. In connection with this, mucullah calligraphy works in the form of works of calligraphy with the puppet motif adapted well in the archipelago, especially in Cirebon. Glass painting in Cirebon could not be separated from the cultural history of Cirebon that culture is the crystallization of several from the cultures that influence it. In the history of Cirebon culture influences from Arabic, Chinese, and Central and East Java.Acculturation in Cirebon culture integrated with peace, so that glass painting in Cirebon if observed bring a breath of uniqueness and distinctive character. Islamic Calligraphy in Cirebon is a mean of channeling creative art reflection of this artist.The trustee in Cirebon by successfully combining creative Islamic calligraphy art with elements of local art. So the calligraphy appears Cirebon identity. Traditional decorative patterns that have been developed previously distilir so as to produce beautiful calligraphic work without losing his character. Some works of calligraphy Panembahan which is stylized decorative patterns that emerge in the form of a charming figural calligraphy, monumental and filled with elements of local genius. Islamic Calligraphy presence in Indonesia has emerged as the archipelago cultures  capable of moving the tradition of thinking and notices, which is capable of touching the existence, cultivate ideas, open intuition, imagination cast a meaning behind the verses as a source of expression and creativity to create works that bercitra archipelago. Keywords: Glass painting, Cirebon, Islamic Calligraphy.
Simbolis Bentuk Dan Seni Hias Pada Istana-Istana Raja Bugis Sulawesi Selatan Pangeran Paita Yunus; R.M. Soedarsono; Sp. Gustami -
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 3, No 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2344.03 KB) | DOI: 10.33153/bri.v3i2.313

Abstract

The cosmologic view of the Buginese tribe assumes that this macrocosmos (the universe) is arranged into three levels: Boting langi (the upper world), Ale kawa (the middle world), Uri’ Li’yu’ (the Under world). As the centre from the three parts of this universe is Boting Langi (the highes sjy), the place of Dewata SeumaE (God) to lie down. This view is represented in the traditional house building seen as the microcosmos. So, the traditional house of the Buginese is devided also into three levels (stacks), those are: Rekkeang (top floor) viewed as the head of the human being, Alle bola (the body of the house) viewed as the body, and Awabola (space underneath of the house) viewed as the leg of the human being. The three parts are centered at Posi bola or the house navel. The result of this research is hoped to enrich the knowledge treasury in the art sector, mainly the plastic arts related to the decorated arts obtained in the Buginese kings’ palace. Keyword: decorated art, Buginese tribe.
Efek Remasan Kertas Dalam Penciptaan Seni Lukis Ida Bagus Komang Sindu Putra
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 3, No 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2072.119 KB) | DOI: 10.33153/bri.v3i2.323

Abstract

In art work creating, ideas often come inspired by situation that is lokk loke lightly, petty, spontaneous thing. This article submit in invention process of artistic and full of aesthetics paintng creating technique. The exploration to the observation toward paper that has kneading process that causes knead texture effect as a technical marker that important in painting visualization. The paper effect is visualized in realistic and deformative way in accordance to psychological and aesthetic need of the meaning of the paper effect that is recorded in a metaphoric way. Through the concept of paper as an obtuary that cross the memories of pas experiences, these art works will become strong cultural and environmental memories analogy of many problems that emerge in contemporary art of painting. Keywords: paper, psychology, aesthetic, painting and metaphor
Studi Penciptaan Karya Seni Rupa Wayang Beber Menggunakan Teknik Kolase Dengan Memanfaatkan Koran Bekas Much. Sofwan Zarkasi
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 3, No 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2168.352 KB) | DOI: 10.33153/bri.v3i2.315

Abstract

Research the creation of works of art that took the title of the Creation Studies Fine Art Wayang Beber Using Collage Techniques Used by Utilizing newspaper, in 2011 by Much. Sofwan Zarkasi aims to open up wide open opportunities related to creativity in the art tradition in an increasingly globalized environment and create works of art beber puppets using collage techniques using newsprint as an alternative form in viewing works of art beber puppet that had been used paint manufacturer with natural dyes and painting techniques. The basic idea of this research is that there are opportunities that exist related to creativity and experimentation in the tradition-dimensional work of art as the development of an increasingly globalized era, as well as the opportunity to present a stimulus and a new perspective related beber puppet who started rare existence. The creation of art works using puppets beber tekonik collage using old newspapers is an engineering development ever undertaken in the work of art is a collage using feathers (hair painting) and collages using decoration technique that has been there on the puppet beber is using decoration techniques which is a technique attached using glue and old newspapers that has been there and selected according to the color needs. The method is applied in the creation of the work on this research is a method of experimentation is the process of conducting experiments that put forward from design planning, preparation and realization of the work in the media. Keywords : arts, puppet, beber, paper, collages
Studi Penciptaan Batu Bata Ekspos Bermotif Lokal Aries Budi Marwanto
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 3, No 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (2424.27 KB) | DOI: 10.33153/bri.v3i2.325

Abstract

The focus of this study is divided into two major parts, the first is the search for material composition mixture of clay as the main material of brick making and the second is the development of product design to conventional brick-patterned brick exposed locally. The long term goal of this research in addition to improving product variants that have a competitive national and global markets. Research design in the creation of this study is exploratory research, a process of “trial and see” or controlled trial. Techniques of data collection was conducted by researchers observations (the process of making brick and clay soil sampling is used), interviews brick craftman in the district. Mojolaban (associated with a brick making technology) and literature searches (related on the clay-forming elements and some chemical elements as reinforcing material clay). Data is processed and tested in the laboratory with a ceramic combustion process, then selected a mixture of clay formula which is most suitable for making bricks. After successfully making quality bricks (strong and precision), then make the exposed brick with ornamnetal motifs develop tradition of batik motifs develop in Surakarta. Keywords : brick,ornamnet, batik 
Degradasi Seni Reduksi Kreatifitas Dalam Arus Globalisasi Nur Iksan
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 3, No 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1802.428 KB) | DOI: 10.33153/bri.v3i2.317

Abstract

As human beings that be dynamic creatures, they should not compromise or ended by neutralized from the authenticity offering from the outside. They should optimize their having potential to reveal the reality and they involvement in any process that they must be a subject of the process if they want to ben gebuine self.This portion will put them on the holistic of knowledge that became the foundation for life. This knowledge as a foundation for the improvement of the meaning of life into a personal selft and forming themselves freely and be aware of his actions. A konswensi to be faced with the choice of putting the authority that based on autonomous, and appreciation for the confidence with which to create a form of human responsibility for the existence. Humans created to “be authentic”. there are two elements of human to act creative. They are the productive capacity and the ability to rekonstruktif. every human being has the potential for resulting in literary works, independence be important factor fr themselves with “intact” and put the position by way of productivity in order to meet their needs. Creativity (the essence of art) this boils down to whether it’s the creation of something that could be used by others or just for personal expression. Here the creation of a literary work does not mean he has to paint, play music, play movies, and art is actually an activity that has an important role in human life, and in some perspectives of art is one aspect that must  be fulfilled for people in need of aesthetic or beauty. As a tool for reflection and raise awareness in personal, to response any issues.Here the subjectivity has a vital role in a terms of beautiful sense that have relation with a sense of satisfaction problems in human beings, there is fundamental need and absurd in its fulfillment.Moreover, the reality of the dynamic, demanding for human to always be example, the primordial man with several tolls in the ritual that aimed to worshiping the gods. The appearance of gods as projections is be the substances that embodiment of sublime everything that in needs are absurd. That is something similar that can be found in every human being in compliance with the terms that are beautiful. keywords : creativity, art,authentic.
Lukisan Wakidi Dalam Semiotika Rita Kemalasari
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol 3, No 2 (2011)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1502.183 KB) | DOI: 10.33153/bri.v3i2.319

Abstract

Nature unfold as a teacher maybe this minang proverb is a guidance for a wakidi in creating paintings with a naturalist genre his loving of minagkabau nature led him to remain faithful to paint the beauty of nature till the rest of his life, and in he is being well known as the mooi indie personage. Even though wakidi is not from west sumatera, but as a founding father of tradition, social behavior, and kinship system that belongs to the societies. No wonder there is a lot of researchers who want to explore and critize because his artwork has so much meaning and marks contained threin. By using various approchment as in this writing which is a combination between trichotomy icon, index, symbol and cannotative semiotics. keywords:nature, wakidi painting, semiotic.

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